Polish artist Magdalena Abakanowicz was a pioneer of fiber-based sculpture and installation in the 1960s. She began making abstract fiber works in the 1950s ...
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Apr 26, 2017 · She gave her new forms names like Heads and Backs, referencing their resemblance to human figurative elements. They were made of natural fibers ...
Themes of isolation, anonymity, obedience, and oppression are common threads in her work. Spatial experience is an essential part of her work as well, and ...
In the 1960s and 70s, the Polish artist Magdalena Abakanowicz created radical sculptures from woven fibre. They were soft not hard; ambiguous and organic; ...
Abakanowicz began making figurative works with fiber and burlap, the rough, tactile surfaces suggesting physical or psychological scarring earned through life.
In the late 1950s and early 1960s, Abakanowicz's work began to take on more structure and geometric form, influenced in part by Constructivism. Her one-person ...
Nov 17, 2022 · She was aware of the importance of our relationship with the natural world, which was threaded through every part of her practice.
4. Humanizing War. Continually influenced by the effects of war, Abakanowicz began scaling her work down to human proportions. In 4 Seated Figures (2002), part ...
These monumental, often garmentlike, pieces are ambiguous and compelling. Although initially Abakanowicz was best known for her work with textiles, she also ...
She became known in the 1960s and 1970s for her large woven sculptures, named Abakans after her surname. Moving from two-dimensional to three-dimensional fiber ...